ORRENTE, Pedro
Spanish Baroque Era Painter, 1580-1645 Spanish painter. He is one of the most interesting artists of his day. His father, Jaime Orrente, was a merchant from Marseille, his mother, Isabel Jumilla, from Murcia. By 1600 Orrente was active in Toledo, where he was commissioned to paint a retable (untraced). In 1607 and again in 1611 he was in Murcia, and a journey to Italy recorded by Jusepe Mart?nez and Palomino must have taken place between those years. It seems certain that he visited Venice and met Leandro Bassano
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ORRENTE, Pedro The Supper at Emmaus ag oil painting


The Supper at Emmaus ag
1620s Oil on canvas, 81 x 101 cm Museum of Fine Arts, Budapest
Painting ID::  8382 		ORRENTE, Pedro
The Supper at Emmaus ag
1620s Oil on canvas, 81 x 101 cm Museum of Fine Arts, Budapest
   
   
     
ORRENTE, Pedro Christ at Emmaus (detail) ah oil painting


Christ at Emmaus (detail) ah
1620s Oil on canvas Museum of Fine Arts, Budapest
Painting ID::  8383 		ORRENTE, Pedro
Christ at Emmaus (detail) ah
1620s Oil on canvas Museum of Fine Arts, Budapest
   
   
     
ORRENTE, Pedro The Miracle of the Loaves and Fishes oil painting


The Miracle of the Loaves and Fishes
mk65 Oil on canvas 42x53 1/2"
Painting ID::  29162 		ORRENTE, Pedro
The Miracle of the Loaves and Fishes
mk65 Oil on canvas 42x53 1/2"
   
   
     
ORRENTE, Pedro St.Sebeastian oil painting


St.Sebeastian
mk84 ca.1616 Valencia, Cathedral, canvas 306x219cm
Painting ID::  32882 		ORRENTE, Pedro
St.Sebeastian
mk84 ca.1616 Valencia, Cathedral, canvas 306x219cm
   
   
     
ORRENTE, Pedro The Sacrifice of Isaac oil painting


The Sacrifice of Isaac
1616 Oil on canvas, 133 x 167 cm
Painting ID::  52674 		ORRENTE, Pedro
The Sacrifice of Isaac
1616 Oil on canvas, 133 x 167 cm
   
   
     
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     ORRENTE, Pedro
     Spanish Baroque Era Painter, 1580-1645 Spanish painter. He is one of the most interesting artists of his day. His father, Jaime Orrente, was a merchant from Marseille, his mother, Isabel Jumilla, from Murcia. By 1600 Orrente was active in Toledo, where he was commissioned to paint a retable (untraced). In 1607 and again in 1611 he was in Murcia, and a journey to Italy recorded by Jusepe Mart?nez and Palomino must have taken place between those years. It seems certain that he visited Venice and met Leandro Bassano

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